lighting

I was watching one of my favourite films Freddy vs. Jason and I notest that there was a couple of different types of colour saturations like in the dream world Freddy’s side of things the colour was mainly warm red I think this was because in the film Freddy died in fire all though in the real world Jason side of things it was manly the colour blue I think this was because he original died in water

inspiration

for some inspiration i looked at a film called Happy Gilmore and i was interested in the viewing points of when the ball gets blasted over the golf course, the viewing point is of the ball this is quite good in the way it shows speed and distance i found a clip of the film and it on the last cupel of seconds

golf ball

when i was filming my videos with the golf ball i was talking to my friends uncle hew is a professional golfer and he explained to me what a golf ball dose thru the air and hitting an object it was quite interesting i found a video on yo tube that shows you the proses 

scrip righting

I discovered a couple of links that describe treatments and how to produce them I all so found a treatment/screen righting walk thro video that describes and what to involve in treatment

http://http//carltonross.tripod.com/write_treatments.html
http://http//www.lightsfilmschool.com/articles/treatments/index.html

24

im not really that interested in the TV program 24 but iv seen one or two episodes and the way it have director bey Jon Casssar. in the way the screen is split up in different fragments to show different story's

Looking at editors I found George Lucas and his method of editing using futuristic Tec necks like in the film star wars he used mostly CGI and green screens in my opinion this is a quite good method but when only used properly like in the star war films and all so transformers directed bye Michael Bay the cgi that was produced in that film was amazing but when Tec necks like this are used but not very good like in the film wolverine I think it destroys the film completely (if you watch that film there is a delay n the razors and wolverines hands there’s a delay)

jaws

As an editor I look in to Steven Spielberg film jaws as we all no the majority of the film the shark is fake one big remote control fish but in the film it is quite affective and gives of the feel of a scary shark. In an interview with Steven he said that he had to shorten his scenes bye like 2 frames to make it moor affective and make the shark moor real. Another reason for the sharks success is I think the camera angles in the scene when the kid on the yellow flout gets Eaton but the camera angle used was the eyes view of the shark coming up from the bottom of the sea hunting for food